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Strumming patterns

In 4/4 the strumming hand moves down on every number and up on every "and", eight motions a bar, whether it touches the strings or not.

Down on the beat, up between

Strumming means brushing across several strings with a pick or the fingers. A downstroke moves from the low E toward the floor; an upstroke comes back up, usually catching only the top three or four strings. Count one bar of 4/4 in eighth notes: "1 and 2 and 3 and 4 and". The rule that makes every pattern easier is that the hand goes down on the numbers and up on the "ands", every time, like a pendulum. A pattern is made by choosing which of those eight motions actually touch the strings. The others are ghost strokes: the hand still moves, just above the strings.

1&2&3&4&
Pattern 1: four downstrokes, one on each beat.

Four patterns to learn in order

Pattern 1 is four downstrokes, one per beat. It is plain but useful, and it lets you think only about the chord changes. Pattern 2 fills every slot: down up down up down up down up. Keep the downstrokes a little louder than the upstrokes so the beat stays clear. Pattern 3 is the one heard in countless folk and pop songs: down, down up, up, down up. In slots that is D on 1, D on 2, U on the "and" of 2, nothing on 3, U on the "and" of 3, D on 4, U on the "and" of 4. The missing downstroke on beat 3 is what gives it its lilt. Your hand still moves down on 3; it just misses the strings.

1&2&3&4&
Pattern 3: D, D U, U, D U. The dot on beat 3 is a ghost stroke: the hand moves down without touching the strings.

Pattern 4 is for songs in 3/4, such as waltzes and many hymns. Count "1 and 2 and 3 and" and play down on 1, down on 2, up on the "and" of 2, down on 3, up on the "and" of 3. A gentler 3/4 feel is a single bass note on beat 1, the lowest string of the chord, followed by two light strums on beats 2 and 3. That bass-strum-strum shape is the oldest accompaniment idea on the guitar and works for slow songs in any key.

Pick, fingers and volume

A thin pick is easiest for strumming because it bends over the strings instead of catching on them. Hold it between the thumb and the side of the index finger with only a few millimetres showing. If you prefer fingers, strum down with the backs of the nails and up with the pad of the thumb or index finger. The motion comes mostly from the wrist and forearm turning, not from the elbow swinging. Keep the arm relaxed; a stiff arm makes uneven strokes and tires quickly.

The chord player in this course strums each chord once every two beats. Use it as a guide for the chord changes and add the pattern yourself on a real guitar, or tap the boxes in the rhythm of the pattern.

Try it

Count "1 and 2 and 3 and 4 and" out loud and tap the G box on the slots of pattern 3: tap on 1, 2, and, and, 4, and. Then press Play and strum along with G, C, G, D.

Down, down up, up, down up. Hand down on every number, up on every and.

  1. In 4/4 counted in eighths, how many strum slots are in one bar?
  2. On the "and" counts, the hand moves…
    • up
    • down
    • it stops
  3. How many strokes actually touch the strings in pattern 3 (D, D U, U, D U)?
  4. In pattern 3, which beat has a ghost downstroke?
  5. What is a ghost stroke?
    • The hand moves but misses the strings
    • A very loud strum
    • A strum with the thumb only
  6. Strumming down and up on every slot at 90 bpm in 4/4, how many strokes do you play per minute?
  7. How many beats are in one bar of 3/4?
  8. Which pick is easiest for strumming?
    • A thin one
    • A very thick one
    • No difference
  9. An upstroke usually catches…
    • the top three or four strings
    • only the low E
    • all six strings evenly
Key points
  • Hand down on the numbers, up on the ands, always.
  • Patterns choose which of the eight motions touch the strings.
  • Pattern 3: D, D U, U, D U, with a ghost stroke on beat 3.
  • In 3/4, try bass note on 1 and light strums on 2 and 3.
Sources for this course (10)
  • Wikipedia "Standard tuning", guitar E2 A2 D3 G3 B3 E4, fourths with a major third between G and B, written an octave higher than it sounds (en.wikipedia.org/wiki/Standard_tuning)
  • Wikipedia "Capo (musical device)", capotasto, Doni 1640, James Ashborn patent 1850, capo affects only the open strings (en.wikipedia.org/wiki/Capo_(musical_device))
  • The Metropolitan Museum of Art, Daniel Wheeldon, "The Spanish Guitar" (metmuseum.org/essays/the-spanish-guitar)
  • Classical Guitar magazine, "10 Classical Guitar Innovations from Antonio de Torres" (classicalguitarmagazine.com/10-classical-guitar-innovations-from-antonio-de-torres)
  • Wikipedia "Antonio de Torres Jurado" (en.wikipedia.org/wiki/Antonio_de_Torres_Jurado)
  • Wikipedia "I-IV-V-I" (en.wikipedia.org/wiki/I–IV–V–I)
  • Library of Congress, Amazing Grace collection, words written 1772 to 1773 and printed in Olney Hymns 1779 (loc.gov/collections/amazing-grace/articles-and-essays/dissemination-of-amazing-grace.html)
  • Museum of the Bible, "How Sweet the Sound", tune NEW BRITAIN in Columbian Harmony 1829 and first paired with Newton's text by William Walker in The Southern Harmony 1835 (museumofthebible.org/how-sweet-the-sound)
  • String frequencies computed with f = 440 × 2^((m − 69) / 12)
  • fret positions computed with d = L × (1 − 2^(−n / 12)).

Checked: 2026-10-17