Strumming patterns
Down on the numbers, up on the "and"s: the hand swings eight times a bar in 4/4 even when it only touches the strings on some of them.
A hand that never stops
Strumming means brushing several strings at once. On the ukulele most players strum where the neck meets the body, using the index finger: down across the strings with the back of the nail, up with the soft pad. The secret of an even strum is a hand that keeps swinging like a pendulum, down on every beat and up between the beats, whether or not it touches the strings. In 4/4, count "1 & 2 & 3 & 4 &": every number is a down stroke and every "&" an up stroke. A pattern is made by choosing which swings actually hit the strings and which pass just above them, a move often called a ghost or missed strum.
Start with four down strums per bar, one on each beat, while saying the count out loud. Then fill in the "&"s with up strums for eight even strokes, "down up down up". When both feel steady at 70 to 80 BPM, try leaving gaps. The most common ukulele pattern, often called the island strum, is D, D U, U D U: down on 1, nothing on the "&" of 1, down and up on 2 &, nothing on 3, then up on the "&" of 3, down on 4 and up on the "&" of 4. The missing down stroke on beat 3 is what gives it a lilt. Your hand still swings down on 3; it just misses the strings.
Strumming is rhythm
Every strum pattern is a rhythm made of eighth notes, so everything from the rhythm course applies. In the island strum the strokes start at 1, 2, 2 &, 3 &, 4 and 4 &. Written as note lengths that is a quarter, an eighth, a quarter, an eighth, an eighth and an eighth. Notice that the up stroke on the "&" of 2 rings across beat 3: that is syncopation, an accent between the beats carried over a beat that has no stroke of its own. The Tap along tab in the lab below has this rhythm, so you can check your timing before adding chords.
Accents bring a pattern to life. Hit beats 2 and 4 a little harder and the strum takes on the backbeat of pop and rock. A light, quick wrist works better than a stiff arm: the motion should come mostly from rotating the forearm, as if shaking water off your hand. For 3/4 songs use three down strums per bar, or D, D U, D U, and for slow 6/8 songs try a down stroke on each of the two beats with up strokes filling the threes.
Practise a new pattern in small pieces. Play only the first two beats, "D, D U", over and over until the hand moves without thinking, then add beats 3 and 4. Keep a metronome on and set it slow: at 80 BPM each eighth-note swing lasts 0.375 seconds, which is plenty of time to check the direction of every stroke. Say the pattern out loud as you play, "down, down up, up down up", because speaking keeps your place when you start changing chords. When the bar loops cleanly ten times in a row, raise the tempo by four or five BPM and repeat. Record yourself on a phone now and then; strumming that feels even often turns out to rush on the up strokes.
Drag to turn. Scroll or pinch to zoom.
Down, down up, up down up. One, two and, and four and.
- In a 4/4 strum, which direction falls on the numbers 1 2 3 4?
- Down
- Up
- Either
- How many times does the hand swing per bar of 4/4 in eighth-note strumming?
- In the island strum D-DU-UDU, how many strokes touch the strings?
- Which beat has no stroke in the island strum?
- What is a swing that misses the strings called?
- A ghost strum
- A hammer-on
- A barre
- At 80 BPM, how long is one eighth-note strum? (3 decimals)
- The up stroke on the & of 2 rings over beat 3. What is that called?
- Syncopation
- A triplet
- A pickup
- Accenting which beats gives a pop backbeat feel?
- 2 and 4
- 1 and 3
- Only 1
- Which part of the finger usually strums down?
- The back of the index fingernail
- The thumb joint
- The palm
- How many strums does a bar of 3/4 get if you play only downs on the beats?
- Keep the hand swinging: down on the beats, up on the &s.
- A pattern chooses which swings touch the strings; the others are ghost strums.
- Island strum: D, D U, U D U, with beat 3 missed.
- Strum patterns are eighth-note rhythms and can be syncopated.
Sources for this course (15)
- Wikipedia "Ukulele" (en.wikipedia.org/wiki/Ukulele): Portuguese machete, cavaquinho and rajão brought by immigrants from Madeira, the Azores and Cape Verde
- Madeiran cabinet makers Manuel Nunes, José do Espírito Santo and Augusto Dias credited as the first makers
- SS Ravenscrag, late August 1879, Hawaiian Gazette report two weeks later
- King Kalākaua’s support
- "jumping flea" and the Edward William Purvis legend
- 1907 Metropolitan Museum catalogue
- Panama-Pacific International Exposition, San Francisco, 1915
- Jazz Age popularity and uke chord tablature in 1920s sheet music
- four common sizes with total length, scale length and tuning table (soprano 21 in / 53 cm and 13 in / 33 cm, concert 23 / 58 and 15 / 38, tenor 26 / 66 and 17 / 43, baritone 29 / 74 and 19 / 48)
- concert size developed in the 1920s, baritone in the 1940s
- standard re-entrant G4 C4 E4 A4, "My dog has fleas", low G G3, D tuning A4 D4 F#4 B4 common in the early 20th century, baritone D3 G3 B3 E4. Hawaiʻi State Archives, "Music from Queen Liliʻuokalani Manuscript Collections" (ags.hawaii.gov/archives/online-exhibitions/music-from-the-queens-collection): Aloha ʻOe composed 1878
- Wikipedia "Aloha ʻOe" (manuscript note "Composed at Maunawili 1878. Played by the Royal Hawaiian Band in San Francisco August 1883")
- Smithsonian Magazine 2019, "How the Music of Hawaiʻi’s Last Ruler Guided the Island’s People Through Crisis" (published 1884, more than 200 works)
- Houghton Library blog 2016 (San Francisco editions as early as 1884)
- Open Music Theory (viva.pressbooks.pub/openmusictheory) for meter and chord vocabulary, ideas only.
Checked: 2026-10-18